family.uk-human-rights.org

Institutionally Organised Fraud & Corruption establishes Crimes Incorporated UK Unlimited as the Enterprise of all time.

' ?? ???? ?? ? ????? ' * Heraclitus. 'One Begins With Logic' has always been the author's translation.*

This web-site is dedicated to Alexandros & Artemis Yiannides and all the innocent children of the divorce industry that is organised by the criminals who manage and are in control of CIUKU Enterprises.

If You Can - help (page/file ..../ifyoucan.htm Last revised October 10, 2003)

A very important element and an integral part of the indisputable facts to be related and pointed to in these pages warrants the use of material passed on from generation to generation but only as sold to mankind, for millennia, by the self-appointed and as promoted by the circles of the abusers of trust and persons who act upon or endorse the criminal acts of the abductors and rapists of Justice.

Setting aside a number of other factors that were noted and observed, by the author, through life's journey,  the most fundamental element was/is how the TRIAD, the evil who are in control in our days, use the female of 'the human species', for their own greedy ends. As the facts and realities are stated and released through these pages, the reader will recognise also that personal greed, by others, who are enticed into the criminal world of the managers of CIUKU Enterprises, are at work relentlessly. The reader will also recognise how others are caused to act simply as nothing but blackmailed into submission dishonest and deceitful criminals or as persons who having been taken to the verge of complete ruin by the blackmailers, the abusers of judicial chair occupancy, they take on other roles for self preservation. The 'converts' simply engage in their new-found roles, as organised and directed by the criminals who are in control, and they are all too happy to target and treat other victims as they themselves were prior to their conversion.

CAN YOU PLEASE ASSIST the author to secure copy of a programme (on video) that was screened by Independent Television in the London Region / Home Counties, sometime between Christmas 1999 and New Year 2000, or soon thereafter. The programme was one of Clive James' own company productions (Watchmaker). It is believed to have been 'The Night of A Thousand Years'. The information in respect of the elements stated further on, was passed to the author by a family friend who knew of the author's interest in Biblical Stories, Myths, and interpretations by artists. The main theme of the Clive James programme, in accordance with the information imparted to the author, is that 'it was a case/programme when awards of merit were given to celebrities for each celebrity's contribution to entertainment or whatever'. One of the presenters for one of the awards was the dancer/choreographer Lionel Blair. Attempts to contact the last, in case his family recorded, for him, the screened programme were unsuccessful.

Attempts to secure a copy of the programme from the production company, 'Watchmaker', Clive James' own production company were met with a simple, 'Not available'. The negative mentality, even though it was made clear that it was a case of research into one of the used backdrops and not for any other purpose. It is an accepted fact that the author's communications are intercepted and monitored, even though nothing of any illegal activity is part of the author's work and research. On the contrary, as can be ascertained through diligent reference to the author's work and presentation / submissions at *human-rights*, the author's only concern is that unadulterated Justice and Democracy should be restored to the world and that the abductors and rapists of both should abandon their wanton destruction of societies and civilisations, wherever they set their agents to work.

THE ELEMENT OF ABSOLUTE interest and an indispensable factor in an apropos presentation of the author's research and conclusions many decades ago, was a painting, such as the one used as a backdrop (background shot) in the course of one of the award presentations. It was a painting of the Biblical Story of Satan, Eve, Adam and the fruit of and 'from the tree of knowledge' that Adam and Eve were forbidden, by the creator, to eat. The author wishes to study that particular painting of the biblical event, as composed and presented by the artist. The biblical story, as sold to the world for over two millennia, was and is of great importance to the author's research and presentation through these pages. Can you PLEASE HELP SECURE copy of the production and information about the actual painting that was used by the art director in that instance?

In order that the reader / visitor may acquire some of the author's inquisitiveness attention is drawn to the reproduction of the painting below.

The painting is by none other than Michelangelo and it is from his work depicting 'The Creation' and 'Genesis' on the ceiling of the Sistine Chapel, at the Vatican, circa 1512. The author understands that recently, June 2003, the Pontiff and his advisors, in desiring to increase 'tourism to the Vatican' they have created a web-site for access to its treasures. Any doubtful Thomas, who wishes to challenge the author's observations and discoveries, decades ago, could visit the site and enquire of 'the authorities at the Vatican, as to "When and How was Michelangelo made aware of the existence of Lileth in the Old Testament, and thus her existence was painted into the scene and accepted by the Pontiff? The same question, naturally, should be directed at any Rabbi with the additional element, "When was Lileth removed from the 'Holy Scriptures and the Old Testament'?

The author simply adds that the painting used in the Clive James programme was more to the version known / presented to Mr & Mrs Average, for over two thousand years. It was just a case of Satan and 'the two disobedient children of God' seen to be acting as Satan enticed Eve to do and to persuade Adam also to eat the fruit from the tree of knowledge. It is the composition and presentation by the artist that is of interest to the author. Any assistance will be greatly appreciated.